About a month ago, I discovered I had left out a huge part of my art practice when I developed my home artist residency plan. Two things happened to make me realize this. The first was a post from a fellow member of the Wild Thread Collective. I wrote about it on Substack .  I revisited some of the work I had made for the Weird Voices Art series. The second was a quick flip-through of my older art journals and photos on my phone. As I looked through both, I realized that I had not created a piece from the Weird Voices series in almost a year and a half. I felt shocked and maybe the tiniest bit ashamed. My focus for the past year had been our move from the UAE to Albania. I didn’t think I would have the time or energy to focus on large pieces or deep work. Instead, I chose simple projects that could be quickly completed in my sketchbooks or that were portable. I also immersed myself in research and planning for the Recipe for Identity Home Artists residency. Much of my planned work was textile-based and a bit more time-intensive. I don’t regret my decisions, but I do regret not finding a way to make the work in the Weird Voices Series more accessible and also for not working it into my residency.

Rather than beat myself up, I chose to reassess my plan for the home artist residency program. The plan includes concepts divided into various phases. Much of the proposed work is textile and fiber-based. It neglects much of my painting practice.  I have updated the plan to include a phase featuring dreams, intuition, and the subconscious. I now have a goal to create at least one painting for the weird voices series per month.

Wild Thread Collective zine- Dreams edition front cover

I also promised myself that I would only apply to projects and exhibitions that could be easily integrated into the Art Residency plan. I chose to apply to the Wild Thread Collective because I felt I could align most of the work done there within my current practice. I am excited that it has been a way to push myself and also to work on projects that have been on my to-make list. The first project is a zine. It was born out of our discussions of dreams and the subconscious. I have always wanted to make a zine but never gotten around to it. Joining this project gave me the accountability and inspiration to do so. I was also able to enhance my current residency plan based on the work within the group. You will find the Dreams zine on the Wild Thread Collective Substack.

I completed ( or should I say I finished) a new piece for the Weird Voices Art Series. The Voice Inside was a piece that I had started in my journal about 1-2 years ago. I don’t know why I didn’t finish it before. Maybe the painting knew something I didn’t and wanted me to wait until I found the right place for it to exist. I think it’s a perfect piece for the Dreams zine. You can view the original artwork and the process video in my portfolio.

The Voice Inside By artist Christy Strickler acrylic painting on paper features themes of listening to your inner voice and being attentive to your suroundings

Painting is a large part of my practice( or used to be). I might make more than one painting a month. I felt that committing to at least one sounds doable and also allows me the flexibility to pivot towards other projects and to follow my creative intuition. I am looking forward to more projects with the Wild Thread Collective and to making more zines.